In 2003 I was asked to design stained glass to celebrate St. Gertrude's
Centennial year. The brief was for something fairly quiet. As there
is no stained glass in the church except for some simple geometric
patterning in the West Wall windows, Father Matthew and I agreed on
the Narthex as the best place for the panels. It is a space separated
from the nave by a screen and there would not be any undue interruption
in the simplicity of the Nave windows and their pale green quarter
lights. The Narthex windows will be clearly visible to the congregation
as they enter both providing a welcoming warmth to the entrance whilst
also being visible to passers at night.
The simple lines of the church and the beauty of the decorative details
of the masonry and metalwork inspired me. I used the symbol of a tree
that features in the metal hinge of an interior door in the nave.This
budding tree form with 5 branches was ideal as the centrepiece for
the designs because it is an elegant symbol of life and growth that
would translate well within the shape of the windows. I have added
banners for a biblical text and the name and dates of St Gertrude's
Church.
The text provided by Father Matthew is taken from Psalm 106 - 'GIVE
THANKS TO THE LORD HIS LOVE IS EVERLASTING'. The script for text is
based on lettering of Edward Johnson - an Arts and Crafts Calligrapher
working in the early 1900's who became most famous for his work on
the typeface used in the London Underground. The style is a modern
development of Romanesque manuscript writing and has been designed
for the windows by a contemporary calligrapher, Liz Burch, with extra
spaces for yellow stain to enliven the script. The same design is
mirrored in each panel and the colours used are both cheerful and
contemplative with the golden trees against various shades of greens
and blues in a simple geometric leaded background. The windows overlook
a park and the paleness of most of the glass allows for the trees
and railings outside to be visible through the panels.